Christina Agapakis




Recent News

Spring 2015: PRX Transistor Podcast

Episode 1: Food Meet Fungus

Episode 2: The Straight Poop

Episode 3: The Skinny on Your Skin

March 2015: Method Quarterly Issue 2: Visions

Los Angeles, January 14 2015

Providence, December 3 2014

November 2014: Method Quarterly Launch

Los Angeles, August 22 2014:

Los Angeles, May 1 2014:

Exhibition Opening, UCLA Art|Science Gallery
Dirt is an exploration of California's microbial biogeography, tracing the diversity of bacterial life underfoot on the Pacific Crest Trail. It is a collaborative project with Ellie Harmon, supported by the University of California Institute for Research in the Arts.

London, April 25 2014:

Friday Late, Victoria and Albert Museum
Can we design life itself? An emerging field of science and synthetic biology is questioning who will be the designers of the future. What will design become? Friday Late celebrates the launch of Synthetic Aesthetics as artists, designers and scientists explore our biological future.

April 2014, Synthetic Aesthetics book published

Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?

In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?

Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field.

Published by the MIT Press. Buy it on Amazon.